Items that are assumed to be in a scene and are therefore not identified in the breakdown become the silent killers of continuity. This is to fully understand the context in which items appear – they might not receive a full description until later in the script, or something might happen to them that changes their characteristics (ex: a car that crashes later in the story might need duplicates, which can impact your planning). It’s important to read and know your script from beginning to end before you even start this process. 20x concert-goers, 10x pedestrians, etc.). Be descriptive if you can as to the look if it matters for the part (young/old, female/male, and so on).For crowd scenes, specify how many you think you’ll need to fill your location safely (i.e. Also, tag non-speaking characters (who don’t have any lines anywhere else in the film) as Background for now.
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